England, my England, its land and people,
Luxurious greens, thick with life, under grey summer skies,
The rolling earth, ancient and strong, mapped by country fields
Patchwork of gold, ruby, cyan waves in the wind,
Weathered stone, electric lights, and burnt timbers looming down
Over metalled streams flowing into rivers, into concrete seas
Luxurious greens, thick with life, under grey summer skies,
The rolling earth, ancient and strong, mapped by country fields
Patchwork of gold, ruby, cyan waves in the wind,
Weathered stone, electric lights, and burnt timbers looming down
Over metalled streams flowing into rivers, into concrete seas
Bare hills, swept by sheets of silver tears,
Oak and birch and ash and elm,
seen feet go past and stars whirl, carts roll past,
and stars whirl, engines rumble in sunken lanes,
Ale, roast beef, lamb, bacon, boiled, baked, oats and barley.
Crowds cheer, then pass in soaked streets, patient and waiting.
Oak and birch and ash and elm,
seen feet go past and stars whirl, carts roll past,
and stars whirl, engines rumble in sunken lanes,
Ale, roast beef, lamb, bacon, boiled, baked, oats and barley.
Crowds cheer, then pass in soaked streets, patient and waiting.
But my faith lies far away, in a strange grammar,
Olive trees, parched vines, thin yellowed grass.
Under fierce sun, mud bricks bake in the heat,
Fishermen on inland seas, dusty roads past wild sands.
Ancient Law, in older towns and cities.
Hills and mountains haunted by still, calm air that rustles the cedars,
Gold coins stacked in tax collector's booths, where merchants bargain,
young men, awake and dreaming; old men, bent over beloved scrolls,
Olive trees, parched vines, thin yellowed grass.
Under fierce sun, mud bricks bake in the heat,
Fishermen on inland seas, dusty roads past wild sands.
Ancient Law, in older towns and cities.
Hills and mountains haunted by still, calm air that rustles the cedars,
Gold coins stacked in tax collector's booths, where merchants bargain,
young men, awake and dreaming; old men, bent over beloved scrolls,
And such dreams, that reach out across sea and sky, beyond land and language, that move mountains,
Even those rolling fields I love, such they take new shape, with open arms,
and bells now Ring, while generations rise and pass, until soil and stone echo,
More true than before, into deeper, richer sound than their original notes alone.
More true than before, into deeper, richer sound than their original notes alone.
And not just my forests and skies, with hope on many lips,
Eyes that look over strange hills and valleys, different suns and grasses,
Colours I do not know, but that same love in arteries and veins,
Each more true, each looks out, across years and miles,
from all nations, to him.
Eyes that look over strange hills and valleys, different suns and grasses,
Colours I do not know, but that same love in arteries and veins,
Each more true, each looks out, across years and miles,
from all nations, to him.
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This is my own composition, and I don't place it under my 'Great Poems' tag out of any vast delusions of grandeur, but just for lacking any other obvious place to put it.
Still, I'd like to say a few words about the motivations behind this poem, and you can judge whether I succeeded.
Still, I'd like to say a few words about the motivations behind this poem, and you can judge whether I succeeded.
This poem is motivated by my reflections on what it feels like to be British, which means rooted in a particular part of north-western Europe; and a Christian, which means a culture and faith that is rooted, however distantly, in the Ancient Middle East.
Of course, British culture has been Christian so long that it's not possible to separate the two out. And it is the wonder of Christian faith that is it is embraced by people in every country in the world, from every background and culture, who feel the message of Jesus Christ, given in the Bible, speaks to them and enriches them and their culture. A universal appeal, transcending its specific origins in the Ancient Middle East, that is itself a kind of miracle.
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